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Artist Decoded by Yoshino

"I started this series as a means for exploration, an exploration of self, and an exploration of the perspectives of other artists. This series is an unabridged documentation of conversations between artists. It’s a series dedicated to breaking down the barriers we tend to set up in our own minds. I want to inspire future creatives to have the courage to explore and experiment. This is about making dreams a reality and not about letting our dreams fall to the wayside. My intention is to give my audience a sense of real human connection, something that feels rich and organic. When I was thinking of a title I thought of the word “movement”. In relation to the Renaissance period in art, my goal for this program is to signify a rebirth of consciousness towards the way we look at contemporary art." - Yoshino (@yoshinostudios)
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Now displaying: Page 1
Sep 4, 2023

Internationally acclaimed, prominent contemporary artist and social media Influencer; Dan Lam is an artist based out of Texas, US. Lam’s sculptural work expresses and plays with sensational dichotomies by combining unconventional materials, organic forms, and bright colors. With contrasting themes verging on beauty and grotesqueness at once, Lam’s art provokes its viewers to ponder meaning and existence while inspiring feelings of familiarity and wonder. Curiosity, play, and fun are the foundation of where Lam’s work begins. Her experimentation results in beautiful sculptures created with various materials such as foams, polyurethanes, resins, acrylics, and polymers, which defines her style. She has exhibited worldwide, and celebrity clients include Miley Cyrus, Demi Lovato, The Game, and Lily Aldridge. Notable art collectors, such as the Tisch family, have acquired her work. In addition, Lam has collaborated with prominent companies, including Facebook and Virgin, and renowned art producers, Meow Wolf. Her pieces have been featured in Architectural Digest, Travel and Leisure, and Forbes, amongst many other international media outlets.

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