Virginie Picot – originally from Paris – has devoted the last 17 years of her career to talent management and visual creations, specializing in the fashion and music industries. Currently living in NYC, she is an agent and Executive Producer for Iconoclast Image and leads the print department. She represents emerging photographers such as Olivia Bee, David Uzochukwu, and Mathieu Cesar, as well as established talents such as Jean-Baptiste Mondino, Cyrille de Vignemont, and Gus Van Sant. She has worked alongside globally renowned recording artists such as Katy Perry, Future, and Kesha, as well as fashion designers including Riccardo Tisci at Givenchy, Damir Doma, and Zaid Affa.
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Brad Kunkle was raised in rural Pennsylvania and graduated from Kutztown University with a BFA in painting in 2001. Rather than continue his artistic pursuits in an academic environment, he became a house painter. That dubious, professional beginning however, taught him valuable lessons that became crucial to his later success. Having taught himself how to gild with precious metals for some of those residential projects, he later implemented those skills in his personal, fine art works.
His debut, fine art exhibition in 2010 at Arcadia Contemporary in NYC sold out before the show's opening night and was followed by a second sold-out exhibition two years later. Since then he has exhibited his paintings in New York, Los Angeles, Berlin, London, Miami, and his works can be found in private collections all over the world. His paintings have twice graced the cover of American Art Collector Magazine and have been published extensively online and in print in such highly read publications as Hi-Fructose, American Arts Quarterly, Lapham’s Quarterly, Juxtapoz and Fine Arts Connoisseur. Kunkle continues to be represented by Arcadia Contemporary in Los Angeles, where he had his debut, West Coast solo exhibition in November of 2016. More recently, Kunkle collaborated as an Art Director with the award-winning, special effects house, Imaginary Forces as his paintings became the foundation for the main title sequence of the Netflix original series, “Anne With An E.”
He lives and works in New York's Hudson Valley.
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“What I want is to open up. I want to know what's inside me. I want everybody to open up. I'm like an imbecile with a can opener in his hand, wondering where to begin—to open up the earth. I know that underneath the mess everything is marvelous. I'm sure of it.” - Henry Miller
Digging beneath the mess of the world to find the beauty underneath is perhaps the most consistent theme in Chelsea Wolfe’s expansive discography—a theme that ties together her ceaseless explorations in unorthodox textures, haunting melodies, and mining the grandeur embedded within ugliness and pain. With her sixth official album Hiss Spun, Wolfe adopts Miller’s quest to become empowered by embracing the mess of the self, to control the tumult of the soul in hopes of reigning in the chaos of the world around us. “I wanted to write some sort of escapist music; songs that were just about being in your body, and getting free,” Wolfe says of the album before extrapolating on the broader scope of her new collection of songs. “You’re just bombarded with constant bad news, people getting fucked over and killed for shitty reasons or for no reason at all, and it seems like the world has been in tears for months, and then you remember it’s been fucked for a long time, it’s been fucked since the beginning. It’s overwhelming and I have to write about it.”
Hiss Spun was recorded by Kurt Ballou in Salem, Massachusetts at the tail end of winter 2017 against a backdrop of deathly quiet snow-blanketed streets and the hissing radiators of warm interiors. While past albums operated on the intimacy of stripped-down folkmusic (The Grime and the Glow, Unknown Rooms), or the throbbing pulse of supplemental electronics (Pain Is Beauty, Abyss), Wolfe’s latest offering wrings its exquisiteness out of a palette of groaning bass, pounding drums, and crunching distortion. It’s an album that inadvertently drew part of its aura from the cold white of the New England winter, though the flesh-and-bone of the material was culled from upheavals in Wolfe’s personal life, and coming to terms with years of vulnerability, anger, self-destruction, and dark family history. Aside from adding low-end heft with gratuitous slabs of fuzz bass, longtime collaborator Ben Chisholm contributed harrowing swaths of sound collages from sources surrounding the artist and her band in recent years—the rumble of street construction at a tour stop in Prague, the howl of a coyote outside Wolfe’s rural house in California, the scrape of machinery on the floor of a warehouse at a down-and-out friend’s workplace. Music is rendered out of dissonance—bomb blasts from the Enola Gay, the shriek of primates, the fluttering pages of a Walt Whitman book are manipulated and seamlessly integrated into the feral and forlorn songs of Hiss Spun.
The album opens with the sickening bang of “Spun”, where a lurching bottom-heavy riff provided by Chisholm and Troy Van Leeuwen (Queens of the Stone Age, Failure) serves as a foundation to a sultry mantra of fever-dream longing and desire. The first third of Hiss Spun—whether it’s the ominous twang and cataclysmic dynamics of “16 Psyche”, the icy keyboard lines, restless pulse and harrowing bellows of Aaron Turner (Old Man Gloom, SUMAC) on “Vex”, or the patient repetition and devastating choruses of “The Culling—all carry the weight of desperation, lost love, and withdrawal. Wolfe’s introspection and existential dread turns outwards to the crumbling world around us with “Particle Flux”, an examination of the casualties of war set against an aural sea of static. White noise is a constant thread through Hiss Spun, with Wolfe finding solace in the knowledge that radio static is the sound of the universe expanding outwards from the Big Bang—a reminder that even dissonance has ties to creation. The electronic thump of “Offering” serves as an ode to the Salton Sea and the encroaching calamities stemming from climate change. The obsession with white noise and global destruction carries over into “Static Hum”, where the merciless percussive battery of Wolfe’s former bandmateand current drummer Jess Gowrie helps deliver the dire weight of a sonnet dedicated to a “burning planet.” By the time the album closes with “Scrape”, Wolfe has come full circle and turned her examinations back inward, reflecting over her own mortality with arguably the most commanding vocal performance in her entire oeuvre.
“The album is cyclical, like me and my moods,” Wolfe says of Hiss Spun. “Cycles, obsession, spinning, centrifugal force—all with gut feelings as the center of the self.” And it’s an album that Wolfe sees as a kind of exorcism. “I’m at odds with myself… I got tired of trying to disappear. The record became very personal in that way. I wanted to open up more, but also create my own reality.” Every Chelsea Wolfe album is cathartic, but never before has both the artist and her audience so desperately needed this kind of emotional purging. Sargent House is proud to release Hiss Spun to the world on September 22nd, 2017.
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Nika Roza Danilova has been recording and performing as Zola Jesus for more than a decade. As a classically trained opera singer with a penchant for noisy, avant-garde sounds, she launched her career with a series of lo-fi releases that pitted her soaring vocals against harsh industrial clatter and jittery synths. The signature Zola Jesus sound became more hi-fi as she began to explore her own skewed vision of pop music on releases like Stridulum, Valusia, and Conatus. With the release of Conatus, Danilova was propelled to regular appearances on festival stages all around the world, as well as a special performance at the Solomon R. Guggenheim Museum in New York. That era culminated in the release of Versions, a collection of string quartet interpretations of her most beloved work, conducted by J.G. Thirlwell (Foetus). That album and subsequent tour were followed by her most hi-fi outing to date, Taiga. Now, coinciding with her return to both the Wisconsin woods in which she was raised and her longtime label, Sacred Bones Records, Zola Jesus has produced Okovi, her darkest album yet. It is, in Danilova’s words, “a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of feral nature.”
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"Jesse Draxler is an artist best known for his collage and mixed media works, though with his new exhibition "Tire Fire" we find him returning to the medium that sparked his love of image making, drawing. As a child growing up in rural Wisconsin Draxler drew incessantly. Being that his father was a mechanic he would spend hours upon hours drawing cars, trucks, and engine parts. Later in adolescence, his attention changed as circumstances became bleak.
Draxler’s mother was in a near-fatal car accident when he was nine. Upon her recovery, over a year later, his parents were divorced. His mother, whom he was now living with, soon remarried. Then just months after the wedding she was ran over and killed by her new husband in his truck, an event to which he arrived just moments later.
In the following years, Draxler states that he barely remembers a thing. These times of pervasive uncertainty and loss changed him forever and his focus shifted to much darker interests. He was always an outcast from his peers, but from this time on Draxler leaned into his outsider lot in life. It wasn’t until almost two decades later that he began to see a light at the end of a very dark tunnel.
Themes of bewilderment, isolation, ambiguity, and absurdity are all strongly represented in Draxler’s work, along with frustration and aggression. Yet these are not endpoints but have rather become the in-roads to deeper understanding and acceptance. It is clear he has spent the better part of his life straddling the line between fear and ecstasy, the beautiful and the grotesque. The result is Draxler’s unique ability to present a point of view in which the subtle nuances of the human condition are concisely illuminated, satisfying a psychological and emotional itch that so seldom gets scratched."
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"Photographer John Kilar’s site will tell you, simply, that he is a nomad. Portraits and landscapes by Kilar will show you that too, with a raw presentation of untamed characters and equally wild and beautiful locations. Variety does not shake the colorful, documentary aesthetic that is true to his photos, which show a curious admiration for each subject.
John Kilar’s images can be found in Oyster Magazine, VICE, Dazed & Confused, Purple Fashion, and DIS Magazine. His client list includes Heineken, Urban Outfitters, The Cobra Snake, and several other lifestyle-saavy brands which Kilar worked with while living in Venice Beach, California."
Text by Linnea Stephan @ Juxtapoz
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Originally hailing from Toronto, Canada, Michelle Groskopf is a Los Angeles based photographer. Her work is a mix of photo journalism, portraiture and street photography. She holds a BFA in film and video production from the School Of Visual Arts in New York where she also taught as an adjunct professor in the graduate film and video dept. She is a member of the celebrated flash photography collective Full Frontal Flash. Michelle is dedicated to empowering youth through photography and education initiatives working with the Lucie Foundation, Educare and Youth Arts to inspire the next generation of photographers and artists. Her work has been shown around the world and featured in publications such as The British Journal Of Photography, American Photo, The Huffington Post, Vice Magazine and It’s Nice That, among others. Her clients include, Refinery 29, Bloomberg Businessweek, Vice Magazine, Marie Claire France, Aftenposten, and Stern Magazine. Her first monograph is being published by The Magenta Foundation and will be released in the fall of 2017.
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Writer / photographer, Scot Sothern, bounced around for forty years. In 2010, at 60, his first solo exhibit, LOWLIFE, photos and stories of life with street prostitutes, was held at the notorious Drkrm Gallery in Los Angeles. His first book of the same title was published in the U.K. by Stanley Barker in 2011. The British Journal of Photography called LOWLIFE, “The years’ most controversial photobook.” Scot’s work has since been exhibited in Los Angeles, New York, Miami, London, and Paris. In 2013 he began a biweekly column, Nocturnal Submissions, for VICE Magazine, and Curb Service: A Memoir, was published by Soft Skull Press. STREETWALKERS, stories and photographs was published by powerHouse Books in February 2016. Writer, Jerry Stahl, called it “An absolutely amazing and essential book." BIG CITY, published in 2017 by Stalking Horse Press, is Sothern’s first novel.
Guest Interviewer: Nolwen Cifuentes
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GEMS is the evolving ethereal pop project of former lovers Lindsay Pitts and Clifford John Usher. After an agonizing romantic split, the duo are continuing to make music together with the project: ‘Every Full Moon’. The full moon represents a time of culmination and fulfillment, of coming full circle, and a symbolic illumination in our inner lives that is mirrored in the night sky. GEMS will be releasing a new song with every full moon as they work through the ghosts of their past and face the uncertainty of the future. Their hope is that the music they create can serve as a vehicle to transform the pain and work through things that otherwise seem totally overwhelming.
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"I'm an art director, motion designer, and illustrator from Buenos Aires, Argentina. I've been working online since 2003 with an extensive list of creatives in music videos, live visual packages, lookbooks, and everything art related.
I have studied Beauty Arts in Bachillerato de Bellas Artes in my natal city, La Plata. I also have a teaching degree in Beauty Arts." - Gustavo Torres (aka Kidmograph)."
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John F Simon Jr. is a multimedia artist and software art pioneer who work and installations are found in the permanent collections of The Whitney Museum of American Art, The Solomon R. Guggenheim Museum, and The Museum of Modern Art in New York, among others. In 2011, he collaborated with Icelandic singer Bjork to write an app for her album, Biophilia. Simon's newest publication, Drawing Your Own Path: 33 Practices at the Crossroads of Art and Meditation, is out now by Parallax Press. Simon grew up in central Louisiana and currently lives and works in Sugar Loaf, New York.
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Casey is a painter based in New York City.
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Rebecca Farr (b. 1973, Los Angeles, California)
Lives and works in Los Angeles, California.
Rebecca Farr recently exhibited her most recent show at Klowden Mann, Out of Nothing and was reviewed by New American Paintings. In 2015, Farr was awarded a residency at Kaus Australis in Rotterdam, and was featured in a group exhibition at Kaus in the Fall of 2015. Farr has exhibited in Los Angeles, San Francisco, Miami, Houston, Istanbul, Rotterdam, and throughout the Pacific Northwest. Her work is held in private collections both nationally and internationally, and she recently completed two years as faculty artist in the education department at the Los Angeles County Museum of Art where she has been developing youth driven public works. Rebecca is the founder of CREATE/ACTION, an artist driven community organizing collective based in Los Angeles.
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This podcast episode was originally recorded in Los Angeles, CA @ NOH/WAVE's event entitled MIND/WAVE on March 18th, 2017 with guest speakers Joshua Hagler, Jarell Perry, Maja Ruznic, and Yoshino.
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Unit London is an arts space and gallery founded in 2013 by Joe Kennedy and Jonny Burt. Unit London was born from a desire to break down the barriers of elitism and to include people in the contemporary art world - whether they are enthusiasts, first-timers, new collectors, or seasoned collectors and institutions - they strongly believe that everybody should be able to enjoy the world's most amazing art.
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Justin Hopkins interviews Martin Wittfooth and Sergio Barrale.
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About Elly: Originally from Ottawa, Elly Smallwood graduated from OCAD University in 2011 and now works as an artist in Toronto. Her paintings are intensely personal, a visual exploration of her mind and body, and those of the people around her.
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Adam Lee is an Australian artist working from his country studio at the foothills of the Macedon Ranges just outside of Melbourne, Australia. His practice focuses on a re-interpretation of painting and drawing traditions and references a wide range of sources, incorporating biblical narratives, natural history, historical and colonial documentary photography, contemporary music and film, and varying literary sources. Employing new evaluations of landscape painting and old world portraiture Lee investigates humanity’s interface with the environment of the natural world and its relationship to ideas of a timeless zone of the divine.
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Daniele Bolelli is an Italian-born writer, martial artist, university professor, and podcaster. He is the author of several books including On the Warrior's Path. He's also known for his podcasts History On Fire and The Drunken Taoist.
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Anthony Lister was born in Brisbane, Australia in 1979. He graduated from the Queensland College of Art in Brisbane in 2001 and traveled to New York soon after where he mentored under the auspices Max Gimblett, one of New Zealand's most influential living artists. Lister began painting on the streets at the age of 17; a location which has become a key part of his practice as a space where he can take pleasure in his 'hobby' of producing art rather than the 'craft' of studio work. He has since exhibited his work extensively within Australia and internationally both in the gallery and on the streets. He is considered to be one of Australia’s most renowned contemporary artists.
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Artist Decoded host, Yoshino, is interviewed by Cory Allen.
This interview was originally on Cory's podcast The Astral Hustle.
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HONNE is a UK based soul musical duo formed by co-songwriter/multi-instrumentalist James Hatcher and frontman Andy Clutterbuck.
HONNE's name is derived from the Japanese words, honne and tatemae, which describe the contrast between a person's true feelings and desires (honne) and the behavior and opinions one displays in public (tatemae).
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Brian Shevlin is the owner and founder of The Con Artist Collective which is an artist community, creative co-working space and gallery founded in early 2010. The collective is located in The Lower East Side in New York City. They are an active community of creatives, curating group shows & social events, encouraging collaboration & inspiring imagination.
Interviewer for this episode is photographer and podcaster, Michael Donovan.
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Ben Quilty was born in Sydney, Australia in 1973. He has an Honorary Doctorate from Western Sydney University, a Bachelor of Visual Arts from Sydney College of the Arts, a Bachelor of Visual Communication from the School of Design at the University of Western Sydney and certificate level studies in Aboriginal History and Culture from Monash University. Widely known for his thick, gestural oil paintings Quilty has explored a range of themes throughout his career. From the dangerous coming of age rituals of young Australian men, to the complex social history of our country, he is constantly critiquing notions of identity, patriotism and belonging.
He won the 2002 Brett Whitely Traveling Art Scholarship, the 2007 National Self Portrait Prize, the 2009 Doug Moran National Portrait Prize, the 2011 Archibald Prize and most recently the Prudential Eye Award for Contemporary Art in Singapore.
His work is represented in the collections of the National Gallery of Australia, the Art Gallery of South Australia, The Art Gallery of New South Wales, QAGOMA and the Museum of Contemporary Art along with numerous regional and private collections.
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Born December 21st, 1990; Matthew Ryan Herget is an emerging self-taught artist from Miami, FL.
After attending University for two years, Herget opted to leave formal education to pursue his personal calling in life; to live as a contemporary explorer.
Herget's work is what he calls, a "constant collaboration" between himself at all points in his life. The evolution of his work mimics the evolution of his own self - a student of life, the mind, nature, and spirituality; Herget continues to explore anew without losing the childlike confidence that propelled him to the person he is today. Earlier paintings consist of juxtapositions of visual metaphors that tend to represent overcoming personal fears and limitations. These juxtapositions mix serious tones with playful imagery: an ode to finding who he is while at the same time never forgetting where he was.
Newer paintings jump in and out of the boundaries of form and abstraction. Occasionally paintings are figurative while others take the shape of full on abstraction: a reflection of where Matthew is currently in his personal journey. Matthew's process in the studio is that of high-energy and adventure. Paintings usually begin with no set concept and evolve into a dialogue of mark-making and feeling between the painter and painting. Dozens of paintings are often worked on at the same time and rotated throughout the studio. His painting style relies heavily on instinct, risk, and uncertainty. Things that are learned today may be dropped tomorrow in an effort to consistently keep oneself open to change and discovery. Herget's main focus is making the process the reward, and to allowing that process and inner voice to mold and evolve what comes of the process, as it pleases.
“Each piece is a journey in-and-of itself. I’m constantly trying to take it somewhere that I haven’t been before. The way I paint is kind of a metaphor for who I am, and why I’m here. It’s not about taking it to a point where you can see something; it’s about bringing it to a place where you can feel something. We all have a space suit on; whether it sits in the closet or goes to the moon is a choice we get to make. It’s a constant mission of finding ourselves. I think that pursuit is nurtured by consistently pushing ourselves further than we did yesterday. That’s how we change, grow, and evolve. That’s what these paintings are about. It’s pretty simple, but means a lot to me."
Matthew Ryan Herget currently works out of Los Angeles, CA.
Show Notes:
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